Panasonic and Sanyo have only been life partners for about a year and a half now, but already the relationship has created a bundle of joy — of a sort. Hot on the heels of some less-than-chipper financial news comes word that Panasonic is spinning off a portion of Sanyo. Sanyo DI Solutions is the name for the new creation, which will represent the company’s efforts in producing OEM digital cameras — cameras that get slapped with other manufacturers’ labels before being sold as such. According to AV Watch, Panasonic’s ownership had put a strain on Sanyo’s fragile manufacturing partnerships, partnerships that can now bear beautiful, rebadged fruit. Sanyo DI Solutions will start with 10 million yen in capital and will go fully independent on July 1st. Hopefully it remembers to call home from time to time.

SOURCE via Panasonic

What if all the answers to the universe resided in the stars? What if your real home was in space? What if you had a camera engineered specifically to capture the beauty of the night sky? You do. Canon has just outed the proper successor to the EOS 20Da, with the 60Da “catering to astronomers and hobbyists” who’d rather spend their clicks on galaxies than flowers and Earthlings. According to Canon, there’s a “modified infrared filter and a low-noise sensor with heightened hydrogen-alpha sensitivity” — something that presumably means the world to astronomers. In more understandable terms, it’s packing an 18-megapixel CMOS sensor (APS-C), a 3-inch Clear View LCD (you know, the flip-out kind), a nine-point autofocus system and TV-out support. The Silent Shooting feature that we already praised on the EOS 5D Mark III is here as well, as is a native ISO ceiling of 6,400 and an expandable range that reaches 12,800. Canon also throws in its RA-E3 remote controller adapter — a vital accessory for those looking to shoot timed exposures greater than 30 seconds — as well as an AC adapter kit for those all-night sessions. It’ll hit select dealers later this month for $1,499, and no, this is not a joke.

SOURCE via Canon

With both its 1D and 5D-series models already confirmed for 2012, today’s Canon teaser hints at something slightly different — and, according to ‘some people’, a major announcement. The event is set for April 15th — during the National Association of Broadcasters (NAB) show in Las Vegas — further confirming that whatever imaging device we’ll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven’t already placed your C300 order, it might not be a bad idea to hang tight until after Canon’s Tax Day reveal.

The Cyber-shot family just keeps growing and growing, with its latest litter focused on keeping slim and staying active. The quartet’s most rugged machine, the $330 16.2 megapixel DSC-TX20, promises to be tough as nails by tolerating water up to 16 feet under, bouncing back from five foot falls and braving freezing tundras as cold as 14 degrees Fahrenheit. The $350 DSC-TX66, on the other hand, forgoes the armor in favor of a 18.2 megapixel sensor, a 3.3-inch “Xtra Fine” OLED touch screen and 1920 x 1080 video recording. The outfits 18.2 MP DSC-WX150 and 16.1 MP DSC-W690 claim the titles of “world’s thinnest 10x optical zoom cameras,” (excluding the lens) according to Sony, and are priced at $250 and $180, respectively.

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Poor Kodak just can’t catch a break these days. Nearly a month after filing for Chapter 11 bankruptcy and mere days after shuttering its digital camera business, the sputtering company now finds itself the target of no less a behemoth than Apple. Yesterday, Cupertino’s legal team asked a US Bankruptcy Court for permission to go after Kodak on two legal fronts: with a patent infringement lawsuit in a Manhattan district court, and a corollary complaint in the ITC.

According to Bloomberg, Apple’s patent suit focuses on technologies that Kodak uses in its line of digital cameras, printers and digital picture frames. Unfortunately for Kodak, printers are one of the product areas it recently decided to focus on, as confirmed in last week’s restructuring announcement. Salt, meet wound.

These two companies, of course, have been involved in an ongoing ITC battle over Kodak’s image transfer technology, with the latest salvo coming last month, when the camera company launched a fresh batch of litigation against both Apple and HTC. If the bankruptcy court grants Apple’s request, the company will head straight to court, in the hopes of obtaining a block against Kodak’s allegedly infringing products.

Kodak, meanwhile, could file a request to hold off the district level case until the ITC ruling comes through, though Apple said yesterday that it would press forward, regardless. The company was also quick to point out that it’s not legally bound to request permission to sue a court-protected bankrupt company, but did so “out of an abundance of caution,” which is really considerate, if you think about it.

SOURCE via Bloomberg

A certain purported Olympus Micro Four Thirds shooter has been anything but shy prior to its official unveiling (whenever that happens). Now, 43 Rumors is keeping the intel flowing with tidbits it received from a “super European source.” The fresh bits suggest the E-M5 could sport a “super-fast” autofocus and 3D tracking system, an external “weather-sealed” GN10 flash and additional filter. And, if rumors are to be believed, you’ll be able to see the effects of the image stabilization through the electronic viewfinder. Though your skep-alarm should be on high alert, we can’t keep you from believing, so hit up that source link to find the rest of the alleged details.

SOURCE via 43rumors

Panasonic, the Japanese-based manufacturer is unleashing a pair of compact “Traveler Zoom” cams to the 2012 mix of camera line-ups that they have. The Lumix DMC-ZS20 and ZS15 include 20x (24-480mm) and 16x (24-384mm) optically stabilized zoom lenses, respectively, 3-inch 460k-pixel LCDs, 1/2.3-inch High Sensitivity MOS sensors and a 10 fps burst shooting mode (5 fps with continuous AF). The higher-end ZS20 features a 14.1 megapixel sensor and 1080/60p video shooting while the ZS15 captures 12.1 megapixel stills and 1080/60i HD clips. Both cameras include 0.1-second “Light Speed Autofocus” and top sensitivity levels of ISO 3200, though you’ll need to opt for the ZS20 to take advantage of GPS with map logging and a noise-canceling stereo mic. The pair will ship in March, with a black, red, white or silver ZS20 running you $350, compared with a $280 price tag on the black or silver ZS15.

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Back in November we joined Martin Scorsese and other Hollywood luminaries at Paramount Studios for the unveiling of Canon’s latest cinema video camera, which is now available for pre-order. The EOS C300, that aims to compete directly against the Reds of the world, carries a Super 35mm CMOS sensor capable of up to 1080p capture, and should be helped in large part by the company’s top-shelf lenses; like the 14.5 – 60mm and 30 – 300mm. When we first met the C300 we told you it’d be priced at a hefty $20,000, but that’s no longer the case, instead it’ll cost a less painful $16,000 for the body only. The camera will begin shipping “after January 30th,” and if it seems like a little too much for you, at least you can still watch our precious hands-on time with it.

SOURCE via Electronista

Amazon all but confirmed the camera’s existence when it leaked three lens pages yesterday, but Fujifilm just officially unveiled the X-Pro1 at CES, in all its rangefinder-esque goodness. The camera’s centerpiece is an APS-C sensor, but unlike the X100 and X10, Fujifilm’s new flagship includes an interchangeable lens mount. The camera can capture 16 megapixel stills, and will be compatible with three lenses at launch: an XF 18mm (27mm equivalent) f/2.0, 35mm (53mm equivalent) f/1.4 lens and a larger 60mm (91mm equivalent) f/2.4 macro lens, though the company says it plans to introduce nine more lenses within the next three years. Pricing hasn’t been announced for the camera or lenses, though yesterday’s Amazon link listed pricing at $500 for the first two lenses, and $600 for the 60mm macro. The camera itself will ship in late February, so you won’t need to wait long to get your hands on the first Fujifilm X-series ILC.

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Leave it to Leica to rebrand a recent Panasonic camera, tack on its iconic red dot and then likely charge a premium. Such is the case with its “new” V-Lux 3 digital superzoom, which is essentially its take on the venerable Lumix FZ150 we spent some hands-on time with back in August. To recap, this shooter features a 12.1 megapixel CMOS sensor, Leica’s DC Vario-Elmarit 4.5 – 108 mm f/2.8 – 5.2 ASPH lens (that’s 25 – 600mm for you full-frame buffs), 1080p AVC HD video recording at up to 60fps with stereo sound and an a77-like 12fps continuous burst mode (albeit using manual focus). On back, you’ll find an articulating 3-inch LCD loaded with a 460K pixel resolution and a 0.2-inch EVF, both of which feature nearly 100% frame coverage. While there’s no word price, you can surely expect the V-Lux 3 to cost a few Benjamins more than its Lumix counterpart when it hits shelves in January. Hey, at least you can say it’s a Leica, right?