Let your boss feel the hardworking-ness in the office while you guys slacking off. Works on most Webcam, CCTV and IP camera

Today, Polaroid has announced its iM1836 Camera, an Android powered camera. It is an interchangeable lens camera with 10-30mm zoom lens and works with all Micro Four Thirds lenses via an adapter. It comes an 18 megapixel sensor, Android 4.1, built-in Wi-Fi and Bluetooth, 1080p video recording, a 3.5-inch capacitive touchscreen, and one-button sharing to Facebook, Twitter, YouTube, Flickr, and Vimeo. The camera is going to be priced at $400. Looks like Android camera is expanding

[via Uncrate]

Canon Delighting You Always or Nikon At the Heart of the Image. Which do you prefer? Or Leica? Go with your own choice, listening too much to what fanboys saying will definitely confused your decision.

A frequent gripe of Lytro camera owners has been the hands-off nature of the photography, with that signature infinite focus about the only real fine-tuning that’s on tap. As of a fresh firmware upgrade, the light-field camera is much friendlier to demanding shooters. The unconventional point-and-shoot now lets owners manually adjust the ISO sensitivity (80 to 3,200) and shutter speed (1/250th of a second to 8 seconds) as well as lock the exposure or invoke a neutral density filter. Regardless of their precision demands, anyone who was already sold on the concept still gets a few perks with today’s refresh: the 8GB model now comes in Seaglass green and a Target-exclusive Moxie Pink, and there’s both a $30 sleeve as well as a $60, accessory-friendly case for those who’ve fully committed to the Lytro lifestyle. Neither upgrade will bring higher resolutions or video, but they’ll go a long way towards accommodating those who were at least on the fence. Check out an interactive sample of the shutter speed control’s benefits after the break. Read more…

Looking to boost your compact capabilities, but don’t want to deal with the hassle of swapping lenses? You might take interest with the Stylus XZ-2 — Olympus’ most powerful point-and-shoot model. Admittedly, we’re having a bit of difficultly working through the appeal of this latest fixed-lens snapper, given the $600 price tag and a body that’s comparable in size to the PEN E-PL5 and even larger than the E-PM2. In the model’s defense, it does include an impressive f/1.8-2.5, 28-112mm 4x optical zoom lens, though its 12-megapixel 1/1.7-inch CMOS sensor is smaller than what’s included with its interchangeable-lens cousins, and the camera’s sensitivity tops out at ISO 12,800. It does, however, offer 1080p shooting and a higher-res swivel 3-inch 920k-dot LCD with Touch AF Shutter control. Still, we would have liked to see these features included with the company’s latest Micro Four Thirds cameras, rather than on a model with a smaller sensor and no interchangeable lens.

If you’re set on the XZ-2, you’ll be plenty pleased with the design — it’s quite similar to the E-PL5, and therefore quite capable. There’s an option to swap in red, beige and purple grips (the camera body itself is only available in black), and you can add a body jacket and an underwater housing. There’s also a built-in flash, which pops up from the top left corner, and you’ll find PEN-like controls, to boot. The design felt practical, and the camera seemed solid overall. The hybrid control ring is a “world’s first,” according to Olympus, and offers the same functionality in both a click mode, which provides feedback, and a smoother silent mode, which won’t produce any noise or vibration when shooting videos. The Stylus XZ-2 will ship a bit after the new PEN models, in November.

Digital imaging buffs are certain to experience a whirlwind autumn, but there’s nothing on the books saying that manufacturers need wait for the biennial Photokina expo to roll out new models. Just in time for the back-to-school season, Canon is announcing two new superzoom cams — the SX160 IS will serve as the successor to the SX150, while the SX500 IS is an entirely new camera, set to sit alongside the company’s SX40 HS and SX260 HS point-and-shoots. Both new models include identical 16-megapixel 1/2.3-inch CCD sensors, intelligent image stabilization, a relatively modest ISO range of 100-800 and the ability to capture 720p video at 25 frames-per-second.

As you may have guessed the SX500 IS is the higher-end flavor, offering a 30x, 24-720mm lens with a maximum aperture range of f/3.4-5.8. That model boasts autofocus improvements of 32 percent and decreased shutter lag of 33 percent over the SX40 HS, Canon’s former top model in this category. The SX160 IS, for its part, packs a 16x, 28-448mm f/3.5-5.9 lens and offers 22 percent faster autofocus and 46 percent less shutter lag than the SX150 it replaces. It’s also powered by AA batteries, which some users may find to be an advantage, considering wide availability during trips abroad. Both cameras include 3-inch LCDs — 461k-dot for the SX500 and 230k-dot with the SX160 — and are set to ship in September, with the black SX500 IS priced at $330 and the SX160 IS available for $230, in both red and black.

If Panasonic didn’t have attention from movie producers before, it just might as of this week. Joining the quickly developing tradition of camera makers producing elaborate short movies as technology demos, the company has let cinematographer Philip Bloom wield (and tease) a “brand new G camera” to record Genesis, a fast-paced mini-drama showing a man’s race to meet his love before it’s too late. While Bloom can’t talk much about the hardware in question until the 17th, he’s allowed to confirm that the upcoming Micro Four Thirds body relies on a “superb” 72Mbps All-I codec for video — letting it capture a sprint through the streets without the compression artifacts of the AVCHD format used by most mirrorless cameras. Panasonic’s upcoming shooter also touts “much improved” results in the dark, Bloom says. It all sounds very tempting, especially if it turns out that Panasonic’s inadvertent leaks are for the same camera we see in action here. The full movie is available after the break, and Bloom has the behind-the-scenes details at the source link.

SOURCE via PhilipBloom

Fujifilm has been making some really handsome, retro-styled shooters lately, and the latest is the XF1. It’s a compact camera that’s 4.2 inches wide, 2.4 inches across and a scant 1.2 inches deep, and comes covered in either black, red or tan faux leather. There’s a 2/3 inch 12-megapixel sensor inside with a retractable, manual zoom, 25-100mm f/1.8 – f/4.9 lens that’s optically stabilized. You turn the thing on by twisting and pulling out the lens (like its elder brother, the X10), and you can shoot 1080p 30fps video using the 3-inch 460,000 dot LCD on the back. The XF1′s ISO range is 100 – 12,800 and it’s got a pop-up flash for shooting in poorly lit locales. Additionally, the camera has a jog dial with a full manual setting, six buttons dedicated to primary functions and a separate, programmable key to tailor the UX to your liking. The XF1 goes on sale for $500 next month.

Leica has its more unique creations, but some of its more affordable cameras are usually upscale parallels to Panasonic models — and that’s undoubtedly true for the newly official (and previously leaked) V-Lux 4 and D-Lux 6, which respectively echo Panasonic’s FZ200 and LX7 shooters. We can’t object too much. That similarity gives the 12-megapixel V-Lux 4 superzoom (seen up top) a 25-600mm equivalent lens with a constant, wide f/2.8 aperture to snap bright images at long distances.

The D-Lux 6, meanwhile, combines its large 1.7-inch, also 12-megapixel sensor with a 24-90mm, f/1.4-2.3 lens and that distinctive aperture control ring. What you’re really getting over the Panasonic equivalents is a subtler, all-black Leica color scheme and a copy of Adobe Lightroom 4 to manage the imminent flood of photos. Photographers who don’t mind knowing their luxury cameras’ true roots can swing by Leica dealers in November to buy either design; we don’t yet know prices, but it’s safe to assume that the V-Lux 4 and D-Lux 6 will carry premiums over their more pedestrian equivalents.
SOURCE via Leica

Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon’s just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it’s ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it’s a full $1,400 less than its heftier stablemate — which also puts it directly in line with Nikon’s recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D’s the first EOS camera to have built-in WiFi. When paired with the company’s free iOS and Android apps, you can use your phone to change the 6D’s settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly.

The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There’s a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it’s got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that’s SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.

SOURCE via CNET